- Keyboard
- 37-note (Standard key or Full size key, No velocity sensitivity, No aftertouch)
- Maximum Polyphony
- 2 voices for duophonic; normally monophonic
- Controllers
- Transpose Positions
- 2 octaves down, normal, 2 octave up
- Proportional Pitch Control
- b (Pitch down) Pad: about -2 / 3 octave
- (Modulation) Pad
# (Pitch-up) Pad: about +2 / 3 octave
- Noise Generator
- Noise Spectrum Types (white and pink)
- Portamento
- Maximum Speed
- about 0.01 msec./oct
- Minimum Speed
- about 1.5 sec./oct
- VCO (Voltage Controlled Oscillator)
- Waveforms
- Sawtooth, Square, Pluse (Dynamic Pluse)
- Frequency Range
- VCO-1 in low freq. mode, 0.2 Hz – 20 Hz: VCO-1 and VCO-2 (audio range) about 20 Hz – 20 kHz
- Warm Up Drift
- 1/30 semitone from turn on max
- Pulse Width
- 50 % – 5 %
- Pulse Width Modulation
- ADSR, +45 %
LFO, +15 % - Voltage Controlled Response
- 1 V/oct
- Maximum Frequency Shifts
- LFO sin wave, +1/2 oct.
LFO square wave, +1.5 oct.
ADSR, +9 oct.
S/H, +2 oct. - * VCO-1 is low note priority, VCO-2 is high note priority.
- VCF (Voltage Controlled Filter)
- Types
- Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
- Frequency Range
- 16 Hz - 16 kHz
- Maximum Usable Q
- 30
- Resonance
- 1/2 - self oscillate
- Voltage Controlled Response
- C3 key (left edge): 0 V
C6 key (right edge) 3 V
- VCA (Voltage Controlled Amplifier)
- Dynamic Range
- 80 dB
- Ring Modulator
- Type
- Digital
- Input Signal
- VCO-1, VCO-2 (square wave)
- Sample & Hold
- Command Sources
- Keyboard or LFO trigger
- Sampled Signals
- VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise
- ADSR Envelope Generator
- Attack Time
- 5 msec. - 5 sec.
- Decay Time
- 10 msec. - 8 sec.
- Sustain Level
- 0 - 100 % or Peak
- Release Time
- 15 msec. - 10 sec.
- AR Envelope Generator
- Attack Time
- 5 msec. - 5 sec.
- Release Time
- 10 msec. - 8 sec.
- Control Input Jacks
- Pedal
- 6.3 mm monaural phone jack
- Portamento Foot Switch
- 6.3 mm monaural phone jack
- Audio Output Jacks
LOW - Connector
- 6.3 mm monaural phone jack
- Maximum Output Level
- -20 dBu@ 10 k ohm load
- Output Impedance
- 10 k ohm
- Audio Output Jacks
HIGH - Connector
- XLR connector
- Maximum Output Level
- +4 dBu@ 1 k ohm load
- Output Impedance
- 330 ohm
- Headphones Jack
- Connector
- 6.3 mm stereo phone jack
- Maximum Output Level
- 50 mW + 50 mW@ 33 ohm load
- Output Impedance
- 10 ohm
- * Controllable by volume knob.
- External Audio Input (Ext Audio Input) Jack
- Connector
- 6.3 mm monaural phone jack
- Maximum Input Level
- -10 dBu
- Input Impedance
- 22 k ohm
- MIDI Connector
- IN
- USB Connector
- Type B
- CV IN/OUT Jacks
- Keyboard CV (IN/OUT)
- 1 V/oct.
- Connector
- 3.5 mm monaural phone jack
- GATE IN/OUT Jacks
- GATE IN
- +3 V (minimum)
- GATE OUT
- +10 V, key down; 0 V all keys up
- Connector
- 3.5 mm monaural phone jack
- TRIG IN/OUT Jacks
- TRIG IN
- +3 V pulse min., 10 μsec. Duration minimum
- TRIG OUT
- +10 V pulse on key depression, 10 μsec. Duration
- Connector
- 3.5 mm monaural phone jack
- Power Supply
- AC adapter (DC 12V) + power cable
- Power Consumption
- 7.1W
- Dimensions (W x D x H)
- 585 x 466 x 163 mm / 23.03” x 18.35” x 6.42”
- Weight
- 7.3 kg / 16.09 lbs.
- Design Variations
- White (ARP ODYSSEY FS Rev1), Black and Gold (ARP ODYSSEY FS Rev2), Black and Orange (ARP ODYSSEY FS Rev3)
- Included Items
- AC adapter (DC 12V), power cable, phone cable, mini-phone cable
- Accessories
- Expression/Volume Pedal
- XVP-20
- Volume Pedal
- VP-10
- Pedal Switch
- PS-3
- Pedal Switch
- PS-1
- Patch Cables
- SQ-CABLE-6
Free Arp Vst
KORG ARP ODYSSEY v1.1.2 WINDOWS Size 27 Mb. The ARP ODYSSEY synthesizer, perfectly reproduced in software. Combining the know-how of analog reproduction and elaborate modeling technology. Since the birth of the ARP Odyssey in 1972, it has been a renowned analog synthesizer used on many artists’ records. The Oddity takes all that was great about the classic ARP Odyssey synthesizer and brings these qualities into the modern age; like morphing between any two saved patches within a 64-patch bank. /shaperbox-2-vst-free-download.html. But don’t think the Oddity is just for geeks – it’s perfect for musicians recreating evocative sounds from the 70s and early 80s. Below is a list of best free VST emulations. Here you can find free virtual alternatives to the classic analog synths: MiniMoog, Arp 2600, Arp Odyssey, Synthi VCS3, Obeirheim OB-X. Back in the day some of my synthesist friends played the Arp Odyssey while others played the Mimimoog. (I played a MiniKorg I always greatly preferred the sound of the minimoog. Real flute vst plugin. The Odyssey always sounded too thin for my taste.